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Introduction and Brief History of the Keris
Introduction and Brief History of the Keris
This small WEB is about keris. However, a discussion of the keris is a discussion of life in Javanese, Balinese, Madurenese, Sulawesi and other Indonesian Communities where the keris found and used. The keris occupies a special, important place in the community; it is not regarded merely as a weapon. In this part of the world, and particularly in Indonesia, there are many weapons which are considered to be sacred and endowed with supernatural powers, and therefore, must be respected; for examples, the Rencong of Aceh, Madau of Kalimantan, and Badik of South Sulawesi. A man feels safe when he has such weapons at his side.
These weapons were originally of the species referred to as stabbing weapons. Further development gave rise to variations in form and function, due to diverse factors such as geographical situation and environmental influences. The keris is one product of this evolution. It has achieved its present form and function after a sufficiently long era of development. This evolution has been in rhythm with the development of the culture as a whole, especially in Java.
To have a deeper understanding of the keris as it is regarded by the people, it is necessary, in this web, to describe briefly the parts briefly the parts of the keris it self, for it is a custom of the Indonesian and especially the Javanese communities to give a name to any and all products of handle work, however small the article maybe. Moreover, the keris in its use implicates a vast part of life. It seems to be a universal trait to link anything important closely with the way of life particularly the spiritual life: for example, as a conveyor of well-being, of happiness in life, and so forth.
In addition, the keris a result of the artistic expression of a community of the highest level, both as to shape or form as well as to components.
Therefore, there is a variety of kerises, in accordance with artistic development in each individual region. In this web the artistic elements of the keris will be enlarge upon separately.
Sincerely,
Introduction and Brief History of the Keris
Introduction and Brief History of the Keris
This small WEB is about keris. However, a discussion of the keris is a discussion of life in Javanese, Balinese, Madurenese, Sulawesi and other Indonesian Communities where the keris found and used. The keris occupies a special, important place in the community; it is not regarded merely as a weapon. In this part of the world, and particularly in Indonesia, there are many weapons which are considered to be sacred and endowed with supernatural powers, and therefore, must be respected; for examples, the Rencong of Aceh, Madau of Kalimantan, and Badik of South Sulawesi. A man feels safe when he has such weapons at his side.
These weapons were originally of the species referred to as stabbing weapons. Further development gave rise to variations in form and function, due to diverse factors such as geographical situation and environmental influences. The keris is one product of this evolution. It has achieved its present form and function after a sufficiently long era of development. This evolution has been in rhythm with the development of the culture as a whole, especially in Java.
To have a deeper understanding of the keris as it is regarded by the people, it is necessary, in this web, to describe briefly the parts briefly the parts of the keris it self, for it is a custom of the Indonesian and especially the Javanese communities to give a name to any and all products of handle work, however small the article maybe. Moreover, the keris in its use implicates a vast part of life. It seems to be a universal trait to link anything important closely with the way of life particularly the spiritual life: for example, as a conveyor of well-being, of happiness in life, and so forth.
In addition, the keris a result of the artistic expression of a community of the highest level, both as to shape or form as well as to components.
Therefore, there is a variety of kerises, in accordance with artistic development in each individual region. In this web the artistic elements of the keris will be enlarge upon separately.
Sincerely,
READ AREA : HISTORIES OF KRIS KRISSES KERIS SPIRITUAL FROM JAVANESE BE TRADITIONAL JAVA WEAPON BLADE
The kris or keris is a prized asymmetrical dagger most strongly associated with the culture of Indonesia, but also indigenous to Malaysia, Thailand, Brunei and Singapore. It is known as kalis in the southern Philippines. The kris is famous for its distinctive wavy blade, although many have straight blades as well.
A kris can be divided into three parts: bilah (blade), hulu (hilt), and warangka (sheath). These parts of the kris are objects of art, often carved in meticulous detail and made from various materials: metal, precious or rare types of wood, or gold or ivory. A kris's aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.[1] Depending on the quality and historical value of the kris, it can fetch thousands of dollars or even more.
Both a weapon and spiritual object, kris are often considered to have an essence or presence, considered to possess magical powers, with some blades possessing good luck and others possessing bad.[1] Kris are used for display, as talismans with magical powers, weapons, a sanctified heirloom (pusaka), auxiliary equipment for court soldiers, an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.[1] Legendary kris that possess supernatural power and extraordinary ability were mentioned in traditional folktales, such as those of Mpu Gandring, Taming Sari, and Setan Kober.
In 2005, UNESCO gave the title Masterpiece of the Oral and Intangible Heritage of Humanity to the kris of Indonesia. In return, UNESCO urged Indonesia to preserve their heritage.[1]
Etymology[edit]
The origin of the word kris derives from the old Javanese term ngiris which means to slice, wedge or sliver. "Kris" is the more frequently used spelling in the West, but "keris" is more popular in the dagger's native lands,[2] as exemplified by the late Bambang Harsrinuksmo's popular book entitled Ensiklopedi Keris (Keris Encyclopedia). Two notable exceptions are the Philippines, where it is usually called kalis or kris, and Thailand where it is always spelled and pronounced as kris. Other spellings used by European colonists include "cryse", "crise", "criss", "kriss" and "creese".
History[edit]
Origins[edit]
Kris depicted on Borobudur bas-relief.
Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dong Son bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[3] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850). However from Raffles' (1817) study of the Candi Sukuh that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture.
In Yingyai Shenglan — a record about Zheng He's expedition (1405-1433) — Ma Huan describes that all men in Majapahit, from the king to commoners, from a boy aged three to elders, slipped pu-la-t'ou (belati or more precisely kris dagger) in their belt. The dagger, made entirely of steel with intricate motifs smoothly drawn. The handles are made of gold, rhino’s horn or ivory carved with a depiction of human or demon, the carving works are exquisite and skillfully made.[4] This Chinese account also reported that public execution by stabbing using this type of dagger is common. Majapahit knows no caning for major or minor punishment. They tied the guilty men on his hands in the back with rattan rope and paraded them for a few paces, and then stabbed the offender one or two times in the back on the gap between floating rib, which resulted in severe bleeding and instant death.
The Sanghyang siksakanda ng karesian canto XVII, a Sundanese manuscript dated from Saka 1440 or 1518 AD, describes the kris as the weapon of kings, while the kujang is the weapon of farmers. There exist claims of earlier forms predating the Majapahit kris but none are verifiable. In the past, the majority of kris had straight blades but this became less frequent over time. Tomé Pires, in early 16th century, describes the importance of the kris to the Javanese: [5]
... every man in Java, whether he is rich or poor, must have a kris in his house .. and no man between the ages of 12 and 80 may go out of doors without a kris in his belt. They carry them at the back, as daggers used to be in Portugal...
— Tome Pires, Suma Oriental
While it is commonly believed that kris were the primary weapons wielded by fighters in the past, they were actually carried by warriors as a secondary armament if they lost their main weapon, which was usually a spear. For commoners however, kris were worn on a daily basis, especially when travelling because it might be needed for self-defense. During time of peace, people wore kris as part of ceremonial attire. Ceremonial kris were often meticulously decorated with intricate carving in gold and precious stones. Heirloom blades were handed down through successive generations and worn during special events such as weddings and other ceremonies. Men usually wore only one kris but the famous admiral Hang Tuah is said in the Hikayat Hang Tuah to have armed himself with one short and one long kris. Women also wore kris, though usually of a smaller size than a man's. In battle, a fighter might have carried more than one kris, some carried three kris: his own, one from his father-in-law, and one as a family heirloom. The extra two served as parrying daggers but if none were available, the sheath would serve the same purpose. Kris blacksmith's workshop depicted in 15th century Candi Sukuh.
Kris were often broken in battle and required repairs. Yearly cleanings, required as part of the spirituality and mythology surrounding the weapon, often left ancient blades worn and thin. The repair materials depended on location and it is quite usual to find a weapon with fittings from several areas. For example, a kris may have a blade from Java, a hilt from Bali and a sheath from Madura.
In many parts of Indonesia, the kris used to be the choice weapon for execution[citation needed]. The executioner's kris had a long, straight, slender blade. The condemned knelt before the executioner, who placed a wad of cotton or similar material on the subject's shoulder or clavicle area. The blade was thrust through the padding, piercing the subclavian artery and the heart. Upon withdrawal, the cotton wiped the blade clean. Death came within seconds.
In 16th century, European colonial power introduced firearms into the archipelago that contribute to the decline of kris' prominence as the weapon of choice in battle. However its spiritual and ceremonial function still continued and celebrated mainly in kraton and istana (courts) throughout Indonesia and Malaysia.
Kris today[edit]
Kris display
Until the 1990s, kris-making activities in Java had almost come to a standstill due to economic difficulties and changing socio-cultural values. However, thanks to several concerned kris experts, the tradition is being revived and kris craftsmanship has increased again.
Over the past three decades, kris have lost their prominent social and spiritual meaning in society. Although active and honoured empus (blademasters) who produce high quality kris in the traditional way can still be found on some places such Madura, Surakarta, Yogyakarta, Makassar and Palembang, their number is dramatically decreasing, and it is more difficult for them to find successors to whom they may transmit their skills.[1]
Description[edit]
A kris's aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.[1] Blade[edit]
A decorative kris with a figure of Semar as the handle. The blade has thirteen luk.
The kris blade is called a wilah or bilah. Kris blades are usually narrow with a wide, asymmetrical base. The kris is famous for its wavy blade; however, the older types of kris dated from the Majapahit era have straight blades.[6] The number of luk or curves on the blade is always odd.[7] Common numbers of luk range from three to thirteen waves, but some blades have up to 29.[8] In contrast to the older straight type, most kris today have a wavy blade which is supposed to increase the severity of wounds inflicted upon a victim.[7] During kris stabbing, the wavy blade severs more blood vessels, creating a wider wound which causes the victim to easily bleed to death.[citation needed]
According to traditional Javanese kejawen, kris contain all the intrinsic elements of nature: tirta (water), bayu (wind), agni (fire), bantolo (earth, but also interpreted as metal or wood which both come from the earth), and aku (lit: "I" or "me", meaning that the kris has a spirit or soul). All these elements are present during the forging of kris. Earth is metal forged by fire being blown by pumped wind, and water to cool down the metal.[9] In Bali, the kris is associated with the nāga or dragon, which also symbolizes irrigation canals, rivers, springs, wells, spouts, waterfalls and rainbows; thus, the wavy blade symbolizes the movement of the serpent. Some kris have a naga or serpent head carved near the base with the body and tail following the curves of the blade to the tip. A wavy kris is thus a naga in motion, aggressive and alive; a straight blade is one at rest, its power dormant but ready to come into action.[10]
In former times, kris blades were said to be infused with poison during their forging, ensuring that any injury was fatal. The process of doing so was kept secret among smiths. Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light colored silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart.
Hilt[edit]
Richly decorated Balinese kris hilt coated with gold, adorned with rubies
The handle or hilt (hulu) is the object of art, often carved in meticulous details and made from various materials; precious rare types of wood to gold or ivory. They were often carved to resemble various Hindu gods and deities, although this became less common with the introduction of Islam. In Bali, kris handles are made to resemble demons coated in gold and adorned with semi precious and precious stones, such as rubies. In Java, kris handles are made in various type, the most common design is the abstract stylized representation of the human form. Examples of hilt designs include Tunggak Semi Putri Kinurung hilt from Surakarta, Batara Guru and Pulasir hilt from Madura, Punukan hilt from Palembang, Ratmaja from Bali, Pulungan hilt from Cirebon, and a seabird-like hilt from Lampung and Sulawesi.[11] The kris usually has a curved pistol-grip hilt that aids in stabbing strikes. It allows the palm of the holding hand to add pressure to the blade while stabbing. A kris only offers minimal protection for the hand by the broad blade at the hilt. In rare cases, the blade may be forged so its axis lies at an angle to the hilt's axis. The intention is to get the blade automatically turning to slip past the ribs but this works poorly and makes the weapon less durable.[citation needed]
Sheath[edit]
As with the hilt, a kris's sheath (warangka) is also the object of art. It can be made from various materials, usually wooden frame to hold the blade which can be coated with metals; such as brass, iron, silver, or even gold, usually carved in sulur floral motifs. The upper part of sheath formed a broad curved handle made from wood or sometimes ivory. It could be adorned with precious or semi-precious stones.
Forging[edit]
The making of a kris was the specialised duty of metalworkers called empu or pandai besi (lit. "iron-skilled"). In Bali this occupation was preserved by the Pande clan to this day, members of whom also made jewellery. A bladesmith makes the blade in layers of different iron ores and meteorite nickel. Some blades can be made in a relatively short time, while more intricate weapons take years to complete. In high quality kris blades, the metal is folded dozens or hundreds of times and handled with the utmost precision. Empu are highly respected craftsmen with additional knowledge in literature, history, and the occult.[1] Cultural beliefs[edit]
Various ways of wearing kris in Javanese culture.
Kris were worn at special ceremonies, with heirloom blades being handed down through successive generations. Both men and women might wear them, though those for women are smaller. A rich spirituality and mythology developed around the weapon. Kris are used for display, as talismans with magical powers, weapons, sanctified heirloom, auxiliary equipment for court soldiers, as an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.[1]
In Javanese culture the kris is revered as tosan aji (Javanese for "sacred heirloom weapon") and considered a pusaka. The kris is believed to have the ability to infuse bravery upon its holder: this property is known as piyandel in Javanese which means "to add self-confidence". The pusaka kris or kris-tipped spear given by a Javanese king to nobles or his subjects, was meant to symbolize the king's confidence bestowed upon the receiver and is considered a great honor. During the Javanese wedding ceremony, a kris is required to be adorned with chains of jasmine flower arrangement as an important part of Javanese groom's wedding costume. The addition of jasmine arrangement around the kris was meant as a symbol that a man should not easily be angry, cruel, fierce, too aggressive, tyrannical and abusive.[8]
Kris-makers did more than forge the weapon, they carried out the old rituals which could infuse the blade with mystical powers. For this reason, kris are considered almost alive because they may be vessels of spirits, either good or evil. Legends tell of kris that could move of their own volition and killed individuals at will. Some kris are rumored to stand upright when their real names are called by their masters. It was said that some kris helped prevent fires, death, agricultural failure, and many other problems. Likewise, they could also bring fortune, such as bountiful harvests. Many of these beliefs, however, were erroneously derived from the possession of different kris by different people. For example, there is a type of kris in Java that was called Beras Wutah, which was believed to grant its possessor an easy life without famine. In reality, this kris was mainly assigned to government officers that were paid, in whole or in part with foodstuff such as rice.
There are several ways of testing whether a kris is lucky or not. A series of cuts on a leaf, based on blade width and other factors, could determine if a blade was good or bad. Also, if the owner slept with the blade under their pillow, the spirit of the kris would communicate with the owner via dream. If the owner had a bad dream, the blade was unlucky and had to be discarded, whereas if the owner had a good dream the dagger would bring good fortune. However, just because a blade was bad for one person didn't mean it would be bad for another. Harmony between the weapon and its owner was critical.
Because some kris are considered sacred and believed to possess magical powers, specific rites needed to be completed to avoid calling down evil fates which is the reason warriors often made offerings to their kris at a shrine. There is also the belief that pointing a kris at someone means they will die soon, so silat practitioners precede their demonstrations by touching the points of the blades to the ground so as to neutralise this effect.
Barong dance performance with kris-wielding dancers and Rangda in Bali
In the Barong dance of Bali there is a segment in which the villain Rangda magically enchants Airlangga's soldiers to commit suicide while another magician makes them invulnerable to sharp objects. In a trance state, the male dancers stab themselves in the chest with their own kris but remain unhurt.
Legends[edit]
Several folktales — linked to historical figures — mention legendary kris that possess supernatural power and extraordinary ability. Most of the magical kris are of Javanese origin, while the tales are derived from Javanese ancient manuscript, Babad (Javanese chronicle) and the Sejarah Melayu of Malaysia.
Kris Mpu Gandring[edit]
One of the most famous legends from Java comes from the Pararaton (Book of Kings). It describes a legendary bladesmith called Mpu Gandring or Empu Gandring and his impatient customer, Ken Arok, in the last days of the Kediri kingdom. The customer ordered a powerful kris to kill the mighty chieftain of Tumapel, Tunggul Ametung. Ken Arok eventually stabbed the old bladesmith to death because he kept delaying the scheduled completion of the kris. Dying, the bladesmith cursed the kris through prophesied that the unfinished or incomplete kris would kill seven men, including Ken Arok. Ken Arok used Mpu Gandring's cursed kris to assassinate Tunggul Ametung, cunningly put the blame to Kebo Ijo, and build a new kingdom of Singosari. The prophecy finally came true, with four men enlisted as the kris' first death roll, including Mpu Gandring himself, Tunggul Ametung, Kebo Ijo to whom Ken Arok lent the weapon, and finally Ken Arok himself. The unfinished kris then disappeared.[12][13]
Another version of the tale describes that the kris passed to Ken Arok's stepson Anusapati which in turn killed his stepfather after recognized that his genuine father was killed by Ken Arok with the same kris. The bloody feud continued on and on until the reign of Kertanegara, the last king of Singosari Empire
Kris Taming Sari[edit]
Taming Sari ("flower shield") is one of the most well-known kris in Malay literature, said to be so skilfully crafted that anyone wielding it was unbeatable. In some versions of the legend, the weapon would grant its user physical invulnerability. The legend took place sometime during the fall of Majapahit Empire and the rise of the Malacca Sultanate. Tun Sri Lanang's book, the Sejarah Melayu, tells that it was made by a Javanese empu and first used by the champion of Majapahit, a pendekar named Taming Sari. He was defeated in a duel to the death by the Melakan admiral Hang Tuah, after which the king of Majapahit presented the weapon to the victor.[7]
After being framed by a jealous official, Hang Tuah was ordered to be executed, but he managed to escape and go into hiding with the help of a minister who knew the truth. Hang Tuah's kris and title of Laksamana (admiral) were passed on to his comrade Hang Jebat. Furious that his best friend was unfairly put to death, Hang Jebat rebelled against the royalty and took over the palace. The desperate ruler of Melaka pardoned the minister so long as Hang Tuah could win him back the throne. Having trained under the same master since childhood the two friends were nearly equals but of the two, Tuah was the superior fighter. However, even after a long battle in the palace, neither could best the other because the Kris Taming Sari evened the odds. Only after taking his weapon back did Hang Tuah manage to stab Jebat, who died soon after.
Kris Setan Kober[edit]
Another Javanese folk story tells of Arya Penangsang, the mighty viceroy (adipati) of Jipang who was killed by his own kris called Setan Kober ("devil of the grave"). It was forged by Empu Bayu Aji in the kingdom of Pajajaran, and had 13 luk on its blade. Near its completion when the empu tried to infuse the weapon with spiritual power, he was disturbed by a crying demon (djinn) from the graveyard. As a result, although powerful, the kris had a temperamental evil nature that caused the wielder to be overly ambitious and impatient.
The story took place during the fall of Demak Sultanate that had replaced Majapahit as the ruler of Java. Setan Kober was safely kept by Sunan Kudus, one of the nine Islamic saints of Java. However Sunan Prawoto, son of Prince Trenggana and grandson of Raden Patah, stole it and used it to assassinate his uncle Raden Kikin by the river. Since then, Raden Kikin is also referred to as Sekar Seda Lepen (flower that fell by the river). Raden Trenggana rose as a sultan and later after his death, was replaced by Sunan Prawoto. Kikin's son, Arya Penangsang of Jipang with the help of his teacher, Sunan Kudus, took revenge by sending an assassin to kill Prawoto using the Setan Kober kris. Prawoto younger sister Ratu Kalinyamat seeks revenge on Penangsang, since Penangsang also murdered her husband. She urged her brother in-law, Hadiwijaya (Joko Tingkir) the ruler of Pajang, to kill Arya Penangsang. Hadiwijaya sent his adopted son and also his son in-law Sutawijaya, who would later become the first ruler of the Mataram dynasty.
During a battle, Sutawijaya stabbed Penangsang with Kyai Plered spear right in his gut. Arya Penangsang is bathing in his own blood, and his intestines were hanging from his open wounded stomach. However because Arya Penangsang is a mighty fighter that possess aji or kesaktian (spiritual power), he keep fighting with an open wounded stomach. He encircled his hanging intestines on his kris hilt, and continue to fight. When trying to attack his opponent, the reckless, fierce and impatience Panangsang pulled his Setan Kober off its sheath, foolishly cut his own intestines, and finally died.
The Javanese tradition of putting jasmine garlands around the kris hilt, especially on groom's kris during the wedding ceremony, is said to originate from this tale. It is to symbolyze that the groom should not be reckless, easily get angry, impatient and abusive like Arya Panangsang.[8] To replace the intestine, the kris is coiled with a floral garland of jasmine chain that resemble intestine. The jasmine is to symbolize sacredeness, patience, grace, humility, kindness and benevolence, the qualities lack in Panangsang. However another source mentioned that actually Sutawijaya admired Penangsang's fighting spirits, still fighting although his intestine encircled around his kris. Impressed by Penangsang's deed, later he command his male descendants to follow his step, adorned the kris with "intestine" made from the chain of jasmine, as a symbol of bravery. The story of Arya Penangsang has inspired and performed as Javanese ketoprak drama.[14]
Kris as a symbol[edit]
Hishammuddin Hussein's infamous waving of the kris as a symbol of Malay supremacy at the 2005 United Malays National Organisation Annual General Meeting
Throughout the archipelago, kris is a symbol of heroism,[1] martial prowess, power and authority. As a cultural symbol, the meticulously decorated keris represent refinement, art and beauty, as the pride and prized possession for its owner;[8] however, as a weapon it is associated with violence, death and bloodshed. Probably for this reason, although the kris is widespread in Javanese culture, it is not used to symbolise Javanese culture or royalty, as Javanese tradition promotes harmony and discourages direct confrontation (hence the absence of knives on Indonesian dinner tables). This is also why the Javanese traditionally wear the kris on their back, to symbolize violence as the last resort. However, in other parts of archipelago, from Sumatra to the Malay Peninsula and to Sulawesi, the kris is worn on the front or left side on the hip.
The kris is depicted on different emblems, coats and logos. For example, it can be seen in historical flag of Mataram Sultanate and former emblem of Siam to represent Malay minority in Southern Thailand. Kris is displayed in emblems of Riau, Riau Islands Province, Terengganu and Selangor. It also can be seen on an obverse copper-zinc-tin RM1 coin with a songket pattern in the background. The Malaya and British Borneo dollar 1 cent coin of 1962 also depicted a pair of crossed kris.
Since the independence of Malaysia, the kris has become something of a symbol of Malay nationalism. It is still regarded by some as a symbol of ketuanan Melayu, the doctrine of the Malay race as the dominant race at their homeland, and has been incorporated into the Sang Saka Bangsa, the official flag of the United Malays National Organisation.[15]
Kris depicted in several emblems as symbol:
[edit][edit]------------------------------------------------------------------------------------
1. ^ Jump up to: a b c d e f g h i UNESCO Indonesian Kris
2. Jump up ^ Frey, Edward (2003). The Kris: Mystic Weapon of the Malay World. Selangor Darul Ehsan: Oxford University Press.
3. Jump up ^ Draeger & Smith (1969). Comprehensive Asian Fighting Arts. ISBN 978-0-87011-436-6.
4. Jump up ^ Ma Huan, translated by J. V. G. Mills (1970). "Ying Yai Shêng Lan Chiao Chu: The Overall Survey of the Ocean's
Shores' (1433)". books.google.co (Cambridge University Press for the Hakluyt Society). Retrieved November 14, 2013.
5. Jump up ^ Pires, Tomé (1990). The Suma oriental of Tome Pires: an account of the East. New Delhi: Asian Educational Services. p. 179. ISBN 81-206-0535-7.
6. Jump up ^ Museum Pusaka (Heirloom Museum) Taman Mini Indonesia Indah
7. ^ Jump up to: a b c An Introduction to Keris
8. ^ Jump up to: a b c d "Keris: Bawa Rasa Tosan Aji" (in Indonesian). Karaton Surakarta. Retrieved 2011-10-24.
9. Jump up ^ "Keris dan Budaya Spiritual Kejawen" (in Indonesian). Kalalima. 22 August 2011. Retrieved 2 July 2012.
10. Jump up ^ "Magic of Metal, Spiritual and Physical Powers of Keris". Neka Art Museum, Bali. Retrieved 2011-10-24.
11. Jump up ^ "Bentara Budaya Jakarta, Pameran Ragam Hulu Keris Nusantara". Java Keris. 9 July 2011. Retrieved 2011-10-24.
12. Jump up ^ eastjava.com, Majapahit Story.
13. Jump up ^ Indonesian Myth, Cursed Sword.
14. Jump up ^ Ketoprak Guyonan Campursari: Ariyo Penangsang Mbalelo
15. Jump up ^ Pogadaev, V. Magia Krisa (The Magic of Kris). Azia i Afrika Segodnya (Asia and Africa Today. Moscow, No. 4, 2010, 67–69
References[edit]
* Malay World Edged Weapons
Further reading[edit]
* David van Duuren, The Kris; An Earthly Approach to a Cosmic Symbol. Wijk en Aalburg (The Netherlands): Pictures Publishers, 1998.
* David van Duuren, Krisses; A Critical Bibliography. Wijk en Aalburg (The Netherlands): Pictures Publishers, 2002. * Gardner, Gerald B., Keris and Other Malay Weapons Orchid Press; Reprint Edition 2010 ISBN 978-974-8304-29-8 (Originally printed 1936 Singapore:Progressive Publishing Company)
* W.H. Rassers, 'On the Javanese kris', in: Bijdragen tot de Taal-, Land- en Volkenkunde 99, 1940, pp. 377–403. * Victor A. Pogadaev. "Ya Khochu Obruchit’sya s Krisom" (I Want to Be Engaged to a Keris). in: "Vostochnaya Kollektsia" (Oriental Collection). Moscow, Russian State Library. N 3 (30), 2007, 133–141. ISSN 1681-7559 External links[edit] * Keris Indonesia * Surprising find at Okinawa temple – The Star online. * The Kris in Java and Bali, Indonesia * A Kris home(start)page for collectors and enthusiasts, lots of info, links and photos can be found there. * v * t * e Knives and daggers * List of daggers * List of blade materials Types of knives * Aircrew Survival Egress Knife * Athame * Balisong/Butterfly * Ballistic * Ballpoint pen knife * Bayonet * Boline * Bolo * Boning * Boot knife * Bowie * Bread knife * Cane knife * Cheese knife * Chef's knife * Cleaver * Clip point * Combat knife * Commander * Corvo * CQC-6 * Dagger * Deba bōchō * Diving knife * Drop point * Electric knife * Fairbairn–Sykes fighting knife * Gerber Mark II * Ginsu * Grapefruit knife * Gravity knife * Gunong * Hunting dagger * Hunting knife * Jacob's ladder * Karambit * Kīla * Kirpan * Kitchen knife * Kukri * Laguiole knife * Machete * Mandau * Mezzaluna * Misericorde * Mora knife * Multi-tool * Nakiri bōchō * Navaja * Neck knife * Nontron knife * Opinel knife * Palette knife * Pantographic knife * Parang * Penknife * Penny knife * Pocket knife * Putty knife * Puukko * Rampuri * Rondel dagger * Sabatier * Sami knife * Santoku * SARK * Scalpel * Seax * Sgian dubh * Sharpfinger * Shiv * Sliding knife * Smatchet * SOG Knife * Straight razor * Strider SMF * Survival knife * Swiss Army knife * Switchblade * Taping knife * Throwing knife * Tomato knife * Trench knife * Tumi * Ulu * Utility knife * Warrior knife * X-Acto * Yanagi ba * Yatagan Types of daggers * Anelace * Applegate–Fairbairn fighting knife * Arkansas toothpick * BC-41 * Bagh nakh * Baselard * Bichawa * Bollock dagger * Cinquedea * Dirk * Ear dagger * Emeici * Facón * French Nail * Hachiwara * Hunting dagger * Janbiya * Kaiken * Kalis * Kard * Katar * Khanjar * Kris * Mark I trench knife * Ocean Edge Knife * Parrying dagger * Poignard * Push dagger * Seme * Shobo * Sica * Stiletto * Fairbairn-Sykes Fighting Knife * Tantō * Marine Raider stiletto * V-42 stiletto * Yarara Parachute Knife * Yoroidōshi Knife manufacturers * Aitor * Al Mar Knives * American Tomahawk Company * Bear MCG * Benchmade * Böker * Buck Knives * Caber * Camillus Cutlery Company * Cattaraugus Cutlery Company * Chris Reeve Knives * Cold Steel * Columbia River Knife & Tool * Cuisinart * Cutco Cutlery * DOVO Solingen * Dexter-Russell * Eikhorn * Ek Commando Knife Co. * Emerson Knives * Erizo * F. 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Degen ....jpg Mythical or legendary Asia * Asi * Cura Si Manjakini * Glory of Ten Powers * Kris Mpu Gandring * Kusanagi * Setan Kober * Shamshir-e Zomorrodnegar * Taming Sari * Thuận Thiên * Totsuka-no-Tsurugi * Zulfiqar Europe * Almace * Caladbolg * Carnwennan * Claíomh Solais * Clarent * Crocea Mors * Dáinsleif * Damocles * Durendal * Dyrnwyn * Excalibur (Caledfwlch) * Fragarach * Gram * Harpe * Hauteclere * Hǫfuð * Hrotti * Hrunting * Kladenets * Lævateinn * Mistilteinn * Murgleys * Nægling * Précieuse * Ridill * Skofnung * Sword of Attila * Tyrfing Some of the existing swords are named after earlier legendary ones. * v * t * e Sword types & classifications by region and era * Swordsmanship Europe Early history * Bronze Age sword Iron Age / Ancient Rome * Gladius * Xiphos * Kopis/Falcata * Makhaira * Spatha * Sica Middle Ages * Viking sword * Arming sword * Longsword * Claymore * Falchion * Shashka Renaissance * Zweihänder * Katzbalger * Cinquedea * Estoc * Side-sword * Espada ropera * Swiss degen Modern Era * Rapier * Sabre * Cutlass * Basket-hilted sword * Small sword * Dueling sword * Hunting sword * Pistol sword * Spadroon * Sword bayonet China Ancient * Jian * Dao Medieval * Dadao * Zhanmadao Ming – Qing * Liuyedao * Wodao * Changdao * Yanmaodao Modern * Miao dao Japan Yayoi – Nara periods * Chokutō Heian – Kamakura periods * Tachi * Ōdachi * Tantō Muromachi – Edo periods * Wakizashi * Uchigatana * Katana * Yoroidōshi Meiji period and beyond * Guntō India Ancient * Khanda * Firangi * Talwar * Kayamkulam vaal * Pata Indonesian Early period * Mandau * Parang * Klewang * Beladau * Surik * Badik Late period * Kris * Sundang * Rencong * Celurit * Cabang * Golok * Bendo * Arbir * Sikin Panjang Philippines Pre-Hispanic period * Kampilan * Kalis * Barong * Panabas Spanish colonization * Bolo * Balisword * Buntot Pagi * Espada y Daga * Dahong palay * Pinuti Middle East Scimitar type * Kilij * Shamshir * Saif * Kaskara * Flyssa * Takoba * Yatagan * Mameluke sword South and East Asia Formative stage * Hwandudaedo Classic stage * Khanda * Urumi * Hook sword * Dha * Seven-Branched Sword Post-Classic stage * Talwar * Kastane * Krabi Mesoamerica Pre-Columbian era * Macuahuitl * Macana Africa Ancient Egypt * Khopesh * Acinaces Mainland * Ida * Kaskara * Nimcha * Shotel * Billao Retrieved from "http://en.wikipedia.org/w/index.php?title=Kris&oldid=595262777" Categories: * Blade weapons * Daggers * Masterpieces of the Oral and Intangible Heritage of Humanity * Ritual weapons * Weapons of Java * Weapons of Indonesia Quoted by : wikipedia.com
READ AREA : HISTORIES OF KRIS KRISSES KERIS SPIRITUAL FROM JAVANESE BE TRADITIONAL JAVA WEAPON BLADE
The kris or keris is a prized asymmetrical dagger most strongly associated with the culture of Indonesia, but also indigenous to Malaysia, Thailand, Brunei and Singapore. It is known as kalis in the southern Philippines. The kris is famous for its distinctive wavy blade, although many have straight blades as well.
A kris can be divided into three parts: bilah (blade), hulu (hilt), and warangka (sheath). These parts of the kris are objects of art, often carved in meticulous detail and made from various materials: metal, precious or rare types of wood, or gold or ivory. A kris's aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.[1] Depending on the quality and historical value of the kris, it can fetch thousands of dollars or even more.
Both a weapon and spiritual object, kris are often considered to have an essence or presence, considered to possess magical powers, with some blades possessing good luck and others possessing bad.[1] Kris are used for display, as talismans with magical powers, weapons, a sanctified heirloom (pusaka), auxiliary equipment for court soldiers, an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.[1] Legendary kris that possess supernatural power and extraordinary ability were mentioned in traditional folktales, such as those of Mpu Gandring, Taming Sari, and Setan Kober.
In 2005, UNESCO gave the title Masterpiece of the Oral and Intangible Heritage of Humanity to the kris of Indonesia. In return, UNESCO urged Indonesia to preserve their heritage.[1]
Etymology[edit]
The origin of the word kris derives from the old Javanese term ngiris which means to slice, wedge or sliver. "Kris" is the more frequently used spelling in the West, but "keris" is more popular in the dagger's native lands,[2] as exemplified by the late Bambang Harsrinuksmo's popular book entitled Ensiklopedi Keris (Keris Encyclopedia). Two notable exceptions are the Philippines, where it is usually called kalis or kris, and Thailand where it is always spelled and pronounced as kris. Other spellings used by European colonists include "cryse", "crise", "criss", "kriss" and "creese".
History[edit]
Origins[edit]
Kris depicted on Borobudur bas-relief.
Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dong Son bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[3] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850). However from Raffles' (1817) study of the Candi Sukuh that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture.
In Yingyai Shenglan — a record about Zheng He's expedition (1405-1433) — Ma Huan describes that all men in Majapahit, from the king to commoners, from a boy aged three to elders, slipped pu-la-t'ou (belati or more precisely kris dagger) in their belt. The dagger, made entirely of steel with intricate motifs smoothly drawn. The handles are made of gold, rhino’s horn or ivory carved with a depiction of human or demon, the carving works are exquisite and skillfully made.[4] This Chinese account also reported that public execution by stabbing using this type of dagger is common. Majapahit knows no caning for major or minor punishment. They tied the guilty men on his hands in the back with rattan rope and paraded them for a few paces, and then stabbed the offender one or two times in the back on the gap between floating rib, which resulted in severe bleeding and instant death.
The Sanghyang siksakanda ng karesian canto XVII, a Sundanese manuscript dated from Saka 1440 or 1518 AD, describes the kris as the weapon of kings, while the kujang is the weapon of farmers. There exist claims of earlier forms predating the Majapahit kris but none are verifiable. In the past, the majority of kris had straight blades but this became less frequent over time. Tomé Pires, in early 16th century, describes the importance of the kris to the Javanese: [5]
... every man in Java, whether he is rich or poor, must have a kris in his house .. and no man between the ages of 12 and 80 may go out of doors without a kris in his belt. They carry them at the back, as daggers used to be in Portugal...
— Tome Pires, Suma Oriental
While it is commonly believed that kris were the primary weapons wielded by fighters in the past, they were actually carried by warriors as a secondary armament if they lost their main weapon, which was usually a spear. For commoners however, kris were worn on a daily basis, especially when travelling because it might be needed for self-defense. During time of peace, people wore kris as part of ceremonial attire. Ceremonial kris were often meticulously decorated with intricate carving in gold and precious stones. Heirloom blades were handed down through successive generations and worn during special events such as weddings and other ceremonies. Men usually wore only one kris but the famous admiral Hang Tuah is said in the Hikayat Hang Tuah to have armed himself with one short and one long kris. Women also wore kris, though usually of a smaller size than a man's. In battle, a fighter might have carried more than one kris, some carried three kris: his own, one from his father-in-law, and one as a family heirloom. The extra two served as parrying daggers but if none were available, the sheath would serve the same purpose.
Kris blacksmith's workshop depicted in 15th century Candi Sukuh.
Kris were often broken in battle and required repairs. Yearly cleanings, required as part of the spirituality and mythology surrounding the weapon, often left ancient blades worn and thin. The repair materials depended on location and it is quite usual to find a weapon with fittings from several areas. For example, a kris may have a blade from Java, a hilt from Bali and a sheath from Madura.
In many parts of Indonesia, the kris used to be the choice weapon for execution[citation needed]. The executioner's kris had a long, straight, slender blade. The condemned knelt before the executioner, who placed a wad of cotton or similar material on the subject's shoulder or clavicle area. The blade was thrust through the padding, piercing the subclavian artery and the heart. Upon withdrawal, the cotton wiped the blade clean. Death came within seconds.
In 16th century, European colonial power introduced firearms into the archipelago that contribute to the decline of kris' prominence as the weapon of choice in battle. However its spiritual and ceremonial function still continued and celebrated mainly in kraton and istana (courts) throughout Indonesia and Malaysia.
Kris today[edit]
Kris display
Until the 1990s, kris-making activities in Java had almost come to a standstill due to economic difficulties and changing socio-cultural values. However, thanks to several concerned kris experts, the tradition is being revived and kris craftsmanship has increased again.
Over the past three decades, kris have lost their prominent social and spiritual meaning in society. Although active and honoured empus (blademasters) who produce high quality kris in the traditional way can still be found on some places such Madura, Surakarta, Yogyakarta, Makassar and Palembang, their number is dramatically decreasing, and it is more difficult for them to find successors to whom they may transmit their skills.[1]
Description[edit]
A kris's aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.[1]
Blade[edit]
A decorative kris with a figure of Semar as the handle. The blade has thirteen luk.
The kris blade is called a wilah or bilah. Kris blades are usually narrow with a wide, asymmetrical base. The kris is famous for its wavy blade; however, the older types of kris dated from the Majapahit era have straight blades.[6] The number of luk or curves on the blade is always odd.[7] Common numbers of luk range from three to thirteen waves, but some blades have up to 29.[8] In contrast to the older straight type, most kris today have a wavy blade which is supposed to increase the severity of wounds inflicted upon a victim.[7] During kris stabbing, the wavy blade severs more blood vessels, creating a wider wound which causes the victim to easily bleed to death.[citation needed]
According to traditional Javanese kejawen, kris contain all the intrinsic elements of nature: tirta (water), bayu (wind), agni (fire), bantolo (earth, but also interpreted as metal or wood which both come from the earth), and aku (lit: "I" or "me", meaning that the kris has a spirit or soul). All these elements are present during the forging of kris. Earth is metal forged by fire being blown by pumped wind, and water to cool down the metal.[9] In Bali, the kris is associated with the nāga or dragon, which also symbolizes irrigation canals, rivers, springs, wells, spouts, waterfalls and rainbows; thus, the wavy blade symbolizes the movement of the serpent. Some kris have a naga or serpent head carved near the base with the body and tail following the curves of the blade to the tip. A wavy kris is thus a naga in motion, aggressive and alive; a straight blade is one at rest, its power dormant but ready to come into action.[10]
In former times, kris blades were said to be infused with poison during their forging, ensuring that any injury was fatal. The process of doing so was kept secret among smiths. Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light colored silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart.
Hilt[edit]
Richly decorated Balinese kris hilt coated with gold, adorned with rubies
The handle or hilt (hulu) is the object of art, often carved in meticulous details and made from various materials; precious rare types of wood to gold or ivory. They were often carved to resemble various Hindu gods and deities, although this became less common with the introduction of Islam. In Bali, kris handles are made to resemble demons coated in gold and adorned with semi precious and precious stones, such as rubies. In Java, kris handles are made in various type, the most common design is the abstract stylized representation of the human form. Examples of hilt designs include Tunggak Semi Putri Kinurung hilt from Surakarta, Batara Guru and Pulasir hilt from Madura, Punukan hilt from Palembang, Ratmaja from Bali, Pulungan hilt from Cirebon, and a seabird-like hilt from Lampung and Sulawesi.[11] The kris usually has a curved pistol-grip hilt that aids in stabbing strikes. It allows the palm of the holding hand to add pressure to the blade while stabbing. A kris only offers minimal protection for the hand by the broad blade at the hilt. In rare cases, the blade may be forged so its axis lies at an angle to the hilt's axis. The intention is to get the blade automatically turning to slip past the ribs but this works poorly and makes the weapon less durable.[citation needed]
Sheath[edit]
As with the hilt, a kris's sheath (warangka) is also the object of art. It can be made from various materials, usually wooden frame to hold the blade which can be coated with metals; such as brass, iron, silver, or even gold, usually carved in sulur floral motifs. The upper part of sheath formed a broad curved handle made from wood or sometimes ivory. It could be adorned with precious or semi-precious stones.
Forging[edit]
The making of a kris was the specialised duty of metalworkers called empu or pandai besi (lit. "iron-skilled"). In Bali this occupation was preserved by the Pande clan to this day, members of whom also made jewellery. A bladesmith makes the blade in layers of different iron ores and meteorite nickel. Some blades can be made in a relatively short time, while more intricate weapons take years to complete. In high quality kris blades, the metal is folded dozens or hundreds of times and handled with the utmost precision. Empu are highly respected craftsmen with additional knowledge in literature, history, and the occult.[1]
Cultural beliefs[edit]
Various ways of wearing kris in Javanese culture.
Kris were worn at special ceremonies, with heirloom blades being handed down through successive generations. Both men and women might wear them, though those for women are smaller. A rich spirituality and mythology developed around the weapon. Kris are used for display, as talismans with magical powers, weapons, sanctified heirloom, auxiliary equipment for court soldiers, as an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.[1]
In Javanese culture the kris is revered as tosan aji (Javanese for "sacred heirloom weapon") and considered a pusaka. The kris is believed to have the ability to infuse bravery upon its holder: this property is known as piyandel in Javanese which means "to add self-confidence". The pusaka kris or kris-tipped spear given by a Javanese king to nobles or his subjects, was meant to symbolize the king's confidence bestowed upon the receiver and is considered a great honor. During the Javanese wedding ceremony, a kris is required to be adorned with chains of jasmine flower arrangement as an important part of Javanese groom's wedding costume. The addition of jasmine arrangement around the kris was meant as a symbol that a man should not easily be angry, cruel, fierce, too aggressive, tyrannical and abusive.[8]
Kris-makers did more than forge the weapon, they carried out the old rituals which could infuse the blade with mystical powers. For this reason, kris are considered almost alive because they may be vessels of spirits, either good or evil. Legends tell of kris that could move of their own volition and killed individuals at will. Some kris are rumored to stand upright when their real names are called by their masters. It was said that some kris helped prevent fires, death, agricultural failure, and many other problems. Likewise, they could also bring fortune, such as bountiful harvests. Many of these beliefs, however, were erroneously derived from the possession of different kris by different people. For example, there is a type of kris in Java that was called Beras Wutah, which was believed to grant its possessor an easy life without famine. In reality, this kris was mainly assigned to government officers that were paid, in whole or in part with foodstuff such as rice.
There are several ways of testing whether a kris is lucky or not. A series of cuts on a leaf, based on blade width and other factors, could determine if a blade was good or bad. Also, if the owner slept with the blade under their pillow, the spirit of the kris would communicate with the owner via dream. If the owner had a bad dream, the blade was unlucky and had to be discarded, whereas if the owner had a good dream the dagger would bring good fortune. However, just because a blade was bad for one person didn't mean it would be bad for another. Harmony between the weapon and its owner was critical.
Because some kris are considered sacred and believed to possess magical powers, specific rites needed to be completed to avoid calling down evil fates which is the reason warriors often made offerings to their kris at a shrine. There is also the belief that pointing a kris at someone means they will die soon, so silat practitioners precede their demonstrations by touching the points of the blades to the ground so as to neutralise this effect.
Barong dance performance with kris-wielding dancers and Rangda in Bali
In the Barong dance of Bali there is a segment in which the villain Rangda magically enchants Airlangga's soldiers to commit suicide while another magician makes them invulnerable to sharp objects. In a trance state, the male dancers stab themselves in the chest with their own kris but remain unhurt.
Legends[edit]
Several folktales — linked to historical figures — mention legendary kris that possess supernatural power and extraordinary ability. Most of the magical kris are of Javanese origin, while the tales are derived from Javanese ancient manuscript, Babad (Javanese chronicle) and the Sejarah Melayu of Malaysia.
Kris Mpu Gandring[edit]
One of the most famous legends from Java comes from the Pararaton (Book of Kings). It describes a legendary bladesmith called Mpu Gandring or Empu Gandring and his impatient customer, Ken Arok, in the last days of the Kediri kingdom. The customer ordered a powerful kris to kill the mighty chieftain of Tumapel, Tunggul Ametung. Ken Arok eventually stabbed the old bladesmith to death because he kept delaying the scheduled completion of the kris. Dying, the bladesmith cursed the kris through prophesied that the unfinished or incomplete kris would kill seven men, including Ken Arok. Ken Arok used Mpu Gandring's cursed kris to assassinate Tunggul Ametung, cunningly put the blame to Kebo Ijo, and build a new kingdom of Singosari. The prophecy finally came true, with four men enlisted as the kris' first death roll, including Mpu Gandring himself, Tunggul Ametung, Kebo Ijo to whom Ken Arok lent the weapon, and finally Ken Arok himself. The unfinished kris then disappeared.[12][13]
Another version of the tale describes that the kris passed to Ken Arok's stepson Anusapati which in turn killed his stepfather after recognized that his genuine father was killed by Ken Arok with the same kris. The bloody feud continued on and on until the reign of Kertanegara, the last king of Singosari Empire
Kris Taming Sari[edit]
Taming Sari ("flower shield") is one of the most well-known kris in Malay literature, said to be so skilfully crafted that anyone wielding it was unbeatable. In some versions of the legend, the weapon would grant its user physical invulnerability. The legend took place sometime during the fall of Majapahit Empire and the rise of the Malacca Sultanate. Tun Sri Lanang's book, the Sejarah Melayu, tells that it was made by a Javanese empu and first used by the champion of Majapahit, a pendekar named Taming Sari. He was defeated in a duel to the death by the Melakan admiral Hang Tuah, after which the king of Majapahit presented the weapon to the victor.[7]
After being framed by a jealous official, Hang Tuah was ordered to be executed, but he managed to escape and go into hiding with the help of a minister who knew the truth. Hang Tuah's kris and title of Laksamana (admiral) were passed on to his comrade Hang Jebat. Furious that his best friend was unfairly put to death, Hang Jebat rebelled against the royalty and took over the palace. The desperate ruler of Melaka pardoned the minister so long as Hang Tuah could win him back the throne. Having trained under the same master since childhood the two friends were nearly equals but of the two, Tuah was the superior fighter. However, even after a long battle in the palace, neither could best the other because the Kris Taming Sari evened the odds. Only after taking his weapon back did Hang Tuah manage to stab Jebat, who died soon after.
Kris Setan Kober[edit]
Another Javanese folk story tells of Arya Penangsang, the mighty viceroy (adipati) of Jipang who was killed by his own kris called Setan Kober ("devil of the grave"). It was forged by Empu Bayu Aji in the kingdom of Pajajaran, and had 13 luk on its blade. Near its completion when the empu tried to infuse the weapon with spiritual power, he was disturbed by a crying demon (djinn) from the graveyard. As a result, although powerful, the kris had a temperamental evil nature that caused the wielder to be overly ambitious and impatient.
The story took place during the fall of Demak Sultanate that had replaced Majapahit as the ruler of Java. Setan Kober was safely kept by Sunan Kudus, one of the nine Islamic saints of Java. However Sunan Prawoto, son of Prince Trenggana and grandson of Raden Patah, stole it and used it to assassinate his uncle Raden Kikin by the river. Since then, Raden Kikin is also referred to as Sekar Seda Lepen (flower that fell by the river). Raden Trenggana rose as a sultan and later after his death, was replaced by Sunan Prawoto. Kikin's son, Arya Penangsang of Jipang with the help of his teacher, Sunan Kudus, took revenge by sending an assassin to kill Prawoto using the Setan Kober kris. Prawoto younger sister Ratu Kalinyamat seeks revenge on Penangsang, since Penangsang also murdered her husband. She urged her brother in-law, Hadiwijaya (Joko Tingkir) the ruler of Pajang, to kill Arya Penangsang. Hadiwijaya sent his adopted son and also his son in-law Sutawijaya, who would later become the first ruler of the Mataram dynasty.
During a battle, Sutawijaya stabbed Penangsang with Kyai Plered spear right in his gut. Arya Penangsang is bathing in his own blood, and his intestines were hanging from his open wounded stomach. However because Arya Penangsang is a mighty fighter that possess aji or kesaktian (spiritual power), he keep fighting with an open wounded stomach. He encircled his hanging intestines on his kris hilt, and continue to fight. When trying to attack his opponent, the reckless, fierce and impatience Panangsang pulled his Setan Kober off its sheath, foolishly cut his own intestines, and finally died.
The Javanese tradition of putting jasmine garlands around the kris hilt, especially on groom's kris during the wedding ceremony, is said to originate from this tale. It is to symbolyze that the groom should not be reckless, easily get angry, impatient and abusive like Arya Panangsang.[8] To replace the intestine, the kris is coiled with a floral garland of jasmine chain that resemble intestine. The jasmine is to symbolize sacredeness, patience, grace, humility, kindness and benevolence, the qualities lack in Panangsang. However another source mentioned that actually Sutawijaya admired Penangsang's fighting spirits, still fighting although his intestine encircled around his kris. Impressed by Penangsang's deed, later he command his male descendants to follow his step, adorned the kris with "intestine" made from the chain of jasmine, as a symbol of bravery. The story of Arya Penangsang has inspired and performed as Javanese ketoprak drama.[14]
Kris as a symbol[edit]
Hishammuddin Hussein's infamous waving of the kris as a symbol of Malay supremacy at the 2005 United Malays National Organisation Annual General Meeting
Throughout the archipelago, kris is a symbol of heroism,[1] martial prowess, power and authority. As a cultural symbol, the meticulously decorated keris represent refinement, art and beauty, as the pride and prized possession for its owner;[8] however, as a weapon it is associated with violence, death and bloodshed. Probably for this reason, although the kris is widespread in Javanese culture, it is not used to symbolise Javanese culture or royalty, as Javanese tradition promotes harmony and discourages direct confrontation (hence the absence of knives on Indonesian dinner tables). This is also why the Javanese traditionally wear the kris on their back, to symbolize violence as the last resort. However, in other parts of archipelago, from Sumatra to the Malay Peninsula and to Sulawesi, the kris is worn on the front or left side on the hip.
The kris is depicted on different emblems, coats and logos. For example, it can be seen in historical flag of Mataram Sultanate and former emblem of Siam to represent Malay minority in Southern Thailand. Kris is displayed in emblems of Riau, Riau Islands Province, Terengganu and Selangor. It also can be seen on an obverse copper-zinc-tin RM1 coin with a songket pattern in the background. The Malaya and British Borneo dollar 1 cent coin of 1962 also depicted a pair of crossed kris.
Since the independence of Malaysia, the kris has become something of a symbol of Malay nationalism. It is still regarded by some as a symbol of ketuanan Melayu, the doctrine of the Malay race as the dominant race at their homeland, and has been incorporated into the Sang Saka Bangsa, the official flag of the United Malays National Organisation.[15]
Kris depicted in several emblems as symbol:
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1. ^ Jump up to: a b c d e f g h i UNESCO Indonesian Kris
2. Jump up ^ Frey, Edward (2003). The Kris: Mystic Weapon of the Malay World. Selangor Darul Ehsan: Oxford University Press.
3. Jump up ^ Draeger & Smith (1969). Comprehensive Asian Fighting Arts. ISBN 978-0-87011-436-6.
4. Jump up ^ Ma Huan, translated by J. V. G. Mills (1970). "Ying Yai Shêng Lan Chiao Chu: The Overall Survey of the Ocean's
Shores' (1433)". books.google.co (Cambridge University Press for the Hakluyt Society). Retrieved November 14, 2013.
5. Jump up ^ Pires, Tomé (1990). The Suma oriental of Tome Pires: an account of the East. New Delhi: Asian Educational Services. p. 179. ISBN 81-206-0535-7.
6. Jump up ^ Museum Pusaka (Heirloom Museum) Taman Mini Indonesia Indah
7. ^ Jump up to: a b c An Introduction to Keris
8. ^ Jump up to: a b c d "Keris: Bawa Rasa Tosan Aji" (in Indonesian). Karaton Surakarta. Retrieved 2011-10-24.
9. Jump up ^ "Keris dan Budaya Spiritual Kejawen" (in Indonesian). Kalalima. 22 August 2011. Retrieved 2 July 2012.
10. Jump up ^ "Magic of Metal, Spiritual and Physical Powers of Keris". Neka Art Museum, Bali. Retrieved 2011-10-24.
11. Jump up ^ "Bentara Budaya Jakarta, Pameran Ragam Hulu Keris Nusantara". Java Keris. 9 July 2011. Retrieved 2011-10-24.
12. Jump up ^ eastjava.com, Majapahit Story.
13. Jump up ^ Indonesian Myth, Cursed Sword.
14. Jump up ^ Ketoprak Guyonan Campursari: Ariyo Penangsang Mbalelo
15. Jump up ^ Pogadaev, V. Magia Krisa (The Magic of Kris). Azia i Afrika Segodnya (Asia and Africa Today. Moscow, No. 4, 2010, 67–69
References[edit]
* Malay World Edged Weapons
Further reading[edit]
* David van Duuren, The Kris; An Earthly Approach to a Cosmic Symbol. Wijk en Aalburg (The Netherlands): Pictures Publishers, 1998.
* David van Duuren, Krisses; A Critical Bibliography. Wijk en Aalburg (The Netherlands): Pictures Publishers, 2002.
* Gardner, Gerald B., Keris and Other Malay Weapons Orchid Press; Reprint Edition 2010 ISBN 978-974-8304-29-8 (Originally printed 1936 Singapore:Progressive Publishing Company)
* W.H. Rassers, 'On the Javanese kris', in: Bijdragen tot de Taal-, Land- en Volkenkunde 99, 1940, pp. 377–403.
* Victor A. Pogadaev. "Ya Khochu Obruchit’sya s Krisom" (I Want to Be Engaged to a Keris). in: "Vostochnaya Kollektsia" (Oriental Collection). Moscow, Russian State Library. N 3 (30), 2007, 133–141. ISSN 1681-7559
External links[edit]
* Keris Indonesia
* Surprising find at Okinawa temple – The Star online.
* The Kris in Java and Bali, Indonesia
* A Kris home(start)page for collectors and enthusiasts, lots of info, links and photos can be found there.
* v
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Knives and daggers
* List of daggers
* List of blade materials
Types of knives
* Aircrew Survival Egress Knife
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Types of daggers
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* Janbiya
* Kaiken
* Kalis
* Kard
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* Kris
* Mark I trench knife
* Ocean Edge Knife
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* Push dagger
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* Fairbairn-Sykes Fighting Knife
* Tantō
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Knife manufacturers
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* Walther arms
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* Wüsthof
* Yarara Ltd
Knifemakers
* A.G. Russell
* American Bladesmith Society
* Rex Applegate
* James Black
* Blackie Collins
* John Nelson Cooper
* Ernest Emerson
* Jerry Fisk
* Phill Hartsfield
* Bill Harsey, Jr.
* Gil Hibben
* Knifemakers' Guild
* Zanjan Knifemakers
* Jimmy Lile
* Bob Loveless
* Bob Lum
* William F. Moran
* Ken Onion
* Ralph Osterhout
* Walter Doane "Bo" Randall, Jr.
* Chris Reeve
* Jody Samson
* William Scagel
* Robert Terzuola
* Michael Walker
* Buster Warenski
* Daniel Winkler
* Wikipedia book Book:Knives and daggers
* Category Category:Knives / Daggers
* v
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* e
Notable swords
Real
Americas
* Curved saber of San Martín
Asia
* Seven-Branched Sword
* Sugari no Ontachi
* Sword of Goujian
Europe
* Blessed sword and hat
* Colada
* Grunwald Swords
* Joyeuse
* Legbiter
* Lobera
* Seax of Beagnoth
* Sword of Mercy
* Sword of Saint Peter
* Szczerbiec
* Tizona
* Wallace Sword
Degen - Fig. 1,2,12. Neue preußische Degen. – 3 u. 4 Degen Philipps II. von Spanien. – 5. Degen ....jpg
Mythical or legendary
Asia
* Asi
* Cura Si Manjakini
* Glory of Ten Powers
* Kris Mpu Gandring
* Kusanagi
* Setan Kober
* Shamshir-e Zomorrodnegar
* Taming Sari
* Thuận Thiên
* Totsuka-no-Tsurugi
* Zulfiqar
Europe
* Almace
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* Carnwennan
* Claíomh Solais
* Clarent
* Crocea Mors
* Dáinsleif
* Damocles
* Durendal
* Dyrnwyn
* Excalibur (Caledfwlch)
* Fragarach
* Gram
* Harpe
* Hauteclere
* Hǫfuð
* Hrotti
* Hrunting
* Kladenets
* Lævateinn
* Mistilteinn
* Murgleys
* Nægling
* Précieuse
* Ridill
* Skofnung
* Sword of Attila
* Tyrfing
Some of the existing swords are named after earlier legendary ones.
* v
* t
* e
Sword types & classifications by region and era
* Swordsmanship
Europe
Early history
* Bronze Age sword
Iron Age / Ancient Rome
* Gladius
* Xiphos
* Kopis/Falcata
* Makhaira
* Spatha
* Sica
Middle Ages
* Viking sword
* Arming sword
* Longsword
* Claymore
* Falchion
* Shashka
Renaissance
* Zweihänder
* Katzbalger
* Cinquedea
* Estoc
* Side-sword
* Espada ropera
* Swiss degen
Modern Era
* Rapier
* Sabre
* Cutlass
* Basket-hilted sword
* Small sword
* Dueling sword
* Hunting sword
* Pistol sword
* Spadroon
* Sword bayonet
China
Ancient
* Jian
* Dao
Medieval
* Dadao
* Zhanmadao
Ming – Qing
* Liuyedao
* Wodao
* Changdao
* Yanmaodao
Modern
* Miao dao
Japan
Yayoi – Nara periods
* Chokutō
Heian – Kamakura periods
* Tachi
* Ōdachi
* Tantō
Muromachi – Edo periods
* Wakizashi
* Uchigatana
* Katana
* Yoroidōshi
Meiji period and beyond
* Guntō
India
Ancient
* Khanda
* Firangi
* Talwar
* Kayamkulam vaal
* Pata
Indonesian
Early period
* Mandau
* Parang
* Klewang
* Beladau
* Surik
* Badik
Late period
* Kris
* Sundang
* Rencong
* Celurit
* Cabang
* Golok
* Bendo
* Arbir
* Sikin Panjang
Philippines
Pre-Hispanic period
* Kampilan
* Kalis
* Barong
* Panabas
Spanish colonization
* Bolo
* Balisword
* Buntot Pagi
* Espada y Daga
* Dahong palay
* Pinuti
Middle East
Scimitar type
* Kilij
* Shamshir
* Saif
* Kaskara
* Flyssa
* Takoba
* Yatagan
* Mameluke sword
South and East Asia
Formative stage
* Hwandudaedo
Classic stage
* Khanda
* Urumi
* Hook sword
* Dha
* Seven-Branched Sword
Post-Classic stage
* Talwar
* Kastane
* Krabi
Mesoamerica
Pre-Columbian era
* Macuahuitl
* Macana
Africa
Ancient Egypt
* Khopesh
* Acinaces
Mainland
* Ida
* Kaskara
* Nimcha
* Shotel
* Billao
Retrieved from "http://en.wikipedia.org/w/index.php?title=Kris&oldid=595262777"
Categories:
* Blade weapons
* Daggers
* Masterpieces of the Oral and Intangible Heritage of Humanity
* Ritual weapons
* Weapons of Java
* Weapons of Indonesia
Quoted by : wikipedia.com
BACAAN : SEJARAH SINGKAT PENGERTIAN DAN SEJARAH KERIS WIKIPEDIA SEBAGAI ADAT JAWA
SUMBER : http://id.wikipedia.org/wiki/Keris
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