dimaharkan pusaka asli tempaan empu jawa
dapur : keris naga sasra kamarogan
pamor : wos wuntah
sepuh : surakarta
warangka : cendana jawa
kode : 6989
mahar : 35.000.000 IDR
free ongkir seindonesia raya
nb : klo psen sebutin kode ya biar mudah cek
udah termahar apa belom
order >
*ambil di galeri tosan aji saya depan keraton surakarta harjodiningrat
*melayani cod surakarta/semarang
*kirim2 free ongkir seindonesia insylh amanah
salam budaya
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english version >
for sale an traditional blade originally from java
blade : KERIS NAGA SASRA KAMAROGAN
pamor : WOS WUNTAH
sheath and hilt : CENDANA
code : 6989
price : 35JT
indonesian free freight cost, export excluded freight cost
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Etymology
The word kris derives from the Old Javanese term ngiris (Javanese: ) which means to slice, wedge or silver. "Kris" is the more frequently used spelling in the West, but "keris" is more popular in the dagger's native lands,[6] as exemplified by the late Bambang Harsrinuksmo's popular book entitled Ensiklopedi Keris (Kris Encyclopedia). Two notable exceptions are the Philippines, where it is usually called kalis or kris, and Thailand, where it is always spelled and pronounced as kris. Other spellings used by European colonists include " cryse ", " crise ", " criss ", " kriss " and " creese "
History
Origin
Kris depicted on Borobudur bas-relief.
Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dong Son bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[7] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850). However, Raffles' (1817) study of the Candi Sukuh states that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java, dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in the Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture.
In Yingyai Shenglan — a record about Zheng He's expedition — Ma Huan describes that
"all men in Majapahit, from the king to commoners, from a boy aged three to elders, slipped pu-la-t'ou (belati or more precisely kris dagger) in their belts. The daggers are made entirely of steel with intricate motifs smoothly drawn. The handles are made of gold, rhino’s horn or ivory carved with a depiction of human or demon; the carving works are exquisite and skillfully made."[8]
This Chinese account also reported that public execution by stabbing using this type of dagger is common. Majapahit knows no caning for major or minor punishment. They tied the guilty men's hands in the back with rattan rope and paraded them for a few paces, and then stabbed the offender one or two times in the back on the gap between the floating ribs, which resulted in severe bleeding and instant death.
Development and distribution
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